Game On Release Date: February 2, 2024.
Game On Rating: 3.5/5
Cast: Geetanand, Neha Solanki, Madhoo, Subhalekha Sudhakar, Adithya Menon
Director: Dayanandh.
Producer: Ravi Kasturi.
Music Director: Abishek AR.
Cinematographer: Aravind Vishwanathan.
Editor: Vamsi Atluri.
Related Links: Trailer.
Game On, starring Geetanand, is now playing in theaters. Let’s see how the film progresses.
Story:
Siddharth (Geetanand) is labeled a loser by his girlfriend, boss, and friends. Disheartened, he attempts suicide, but a phone call from a private number changes his life forever. Siddharth begins receiving instructions to perform specific tasks for which he is compensated. Siddharth is informed that the game is real-time and follows a set of rules. During this time, Tara (Neha Solanki) enters his life and begins to love him. The film explores how this real-time game affected Siddharth’s life.
Plus Points:
Geetanand is undeniably the most important pillar of Game On. The actor portrayed the variations in his character with utmost conviction. As a demoralized youth, Geetanand effectively depicted his pain, and when he transformed into a strong man, he went all guns blazing. His dialogue delivery and screen presence are excellent.
Even though the flashback is brief, it adds value to the storyline. The film’s second half is watchable, with some key moments holding their own. Neha Solanki looked stunning on the screen. Though her role is more glamor-oriented, she still leaves an impression because she is very expressive. Adithya Menon is excellent in his role. Subhaleka Sudhakar follows through on his responsibilities.
Minus points:
The main game discussed in the film bears a resemblance to the popular Korean show Squid Game. This isn’t a big deal, but the main issue is with the screenplay. Except for the hero’s performance, the first half is slow.
The entire film revolves around three major twists, but none of them are particularly interesting because we can see them coming from a long distance. The predictability of these twists reduces the excitement factor.
Madhoo Bala’s role is not well-written. Furthermore, her performance is subpar, significantly diluting the film’s mood in the climax. Overuse of the F-word and a few visuals can be irritating at times.
Technical aspects:
Abhishek AR’s background score is outstanding, and whenever the film falters, Abhishek comes to the rescue. His songs are also good. Game On boasts one of the best visuals in recent years among small films. Aravind Vishwanathan did an excellent job. The filmmakers spent more money on the film, and it shows in every frame.
The editing could have been improved, particularly in the first half. Director Dayanadh intended to create a slick and stylish thriller, but he could have taken more care with the story. Better presentation of twists would have made a huge difference.
Verdict:
Overall, Game On is an action thriller with some passable scenes in the second half. Geetanand delivers an impressive performance as the heart and soul of Game On, and the flashback scenes keep us interested. However, the dull first half and predictability of key twists serve as major spoilers.
