“Manjummel Boys,” released on April 6, 2024, has garnered a rating of 3.25 out of 5 stars. Directed by Chidambaram, the film features a talented cast including Shoubin Shahir, Sreenath Bhasi, Ganapathy, and Balu Varghese. With Shawn Antony, Babu Shahir, and Soubin Shahir as the producers, the movie promises an engaging narrative. Sushin Shyam’s musical direction adds depth to the storytelling, while Shyju Khalidh’s vision as the film director brings the story to life on screen. Harshan Vivek’s editing expertise ensures a seamless flow of the plot, making “Manjummel Boys” a captivating cinematic experience.
Here is the Trailer for the Manjummel Boys Movie
The Telugu version of the Malayalam film Manjummel Boys has just released. Chidambaram is directing a thriller about survival. Observe the current situation.
Story:
An excursion to Kodaikanal is planned for a group of Manjummel friends in 2006. They often travel and live life to the fullest, just like their competitor group. This makes the Manjummel Boys jealous, so they set off to visit Guna Cave in Kodaikanal. A deep pit known as Devil’s Kitchen is where one of the pals falls during this tour. There is no survivor of anyone who fell into that gorge. The story of the movie is how the Manjummel Boys rescued their comrade.
Positive Points:
It is not an easy task to adapt real-life stories to the screen. To portray real-life circumstances in an engrossing way in a survival thriller like Manjummel Boys, one must possess deep conviction. With friendship taking center stage, director Chidambaram crafts a compelling story that primarily centers on human emotions.
The exact images that we see as one of the friends falls into the abyss are not provided to us. When the scene is revealed in the second half, though, we will tremble in our chairs. What will give us a lump in our throats is that it actually happened. The film takes off as soon as the companions arrive in Kodaikanal.
The production design crew deserves great credit for creating a gorgeous and incredibly lifelike set piece (the portions that take place inside the pit). We’ll be gripped from beginning to end by the entire rescue effort. Shyju Khalid’s amazing visuals and Shusin Shyam’s brilliant background score made this feasible. The cinemas are going to burst with the beautiful melody “Priyathama Neevachata Kusalama.”
The fact that the movie shows Subhash’s experience after the tragedy rather than ending with the rescue mission is its greatest feature. Therefore, Manjummel Boys gets bonus points for looking into this. All of the others, including Khalid Rahman, Sreenath Bhasi, Khalid Shahir, and Deepak Parambo, performed an excellent job.
Minus Points:
The opening scenes of the first half of Manjummel Boys aren’t very interesting, and the film takes some time to grow on us. The first half moves slowly overall, with nothing particularly noteworthy happening in the opening forty minutes. There was room for improvement in the way the world-building and character introductions were presented.
Technical details:
This expertly produced survival thriller is given vitality by Ajayan Chalissery’s production design, Shijin Hutton and Abhishek Nair’s sound design, Shusin Shyam’s background soundtrack, and Shyju Khalid’s cinematography. While it may have been a bit better in the first hour, the editing is excellent in the second half.
Both Chidambaram’s direction and emotive performance are commendable. It’s admirable how Chidambaram imagined the entire event and depicted it on TV. The movie also pays homage to Guna, a hit song by the late great Kamal Haasan, and the lovely Priyathama track. However, the first hour of the film isn’t that great, and this is one area where the film could have worked better.
Conclusion:
All things considered, Manjummel Boys is a powerful, intense survival thriller. The entire rescue effort and the way it is filmed will keep us enthralled throughout the second half, which is incredibly captivating. Deepak Parambol, Sreenath Bhasi, Shoubin Shahir, and everyone else did an excellent job.
However, the pacing is poor and the first half lacks interest. As the climax draws near, there’s also a little element of predictability. Since the film is technically sound, it should be seen in a theater. Advised.
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