“Saripodhaa Sanivaaram,” released on August 29, 2024, is a Telugu action drama film directed by Vivek Athreya, featuring the talented Nani in the lead role alongside SJ Suryah, Priyanka Arul Mohan, and Murali Sharma. This film marks the second collaboration between Nani and Athreya, following their successful venture with “Ante Sundaraniki.” The narrative revolves around themes of vengeance, justice, and the struggle against systemic oppression, encapsulated within a classic masala entertainer framework.
“Saripodhaa Sanivaaram” explores the life of Surya, a man who channels his anger into a weekly ritual of retribution against those who have wronged him, promising to keep his rage in check for six days. The film has generated considerable buzz, with audiences eager to see how Athreya reinvents traditional action tropes while maintaining a fresh narrative.
Story:
The story centres on Surya (Nani), an LIC insurance agent who lives by a unique code: he suppresses his anger throughout the week, only unleashing it on Saturdays against those who have wronged him. This unusual approach stems from a promise made to his mother, who instilled in him the importance of controlling his emotions. The plot thickens when a tragic incident in Sokulapalem pits him against the ruthless Circle Inspector Daya (SJ Suryah), a man who revels in punishing the villagers.
As Surya navigates his dual life one as a mild-mannered insurance agent and the other as a vigilante he encounters Charulatha (Priyanka Arul Mohan), a policewoman whose involvement complicates his quest for justice. The film intricately weaves together personal vendettas, societal injustices, and the emotional turmoil of its characters, leading to a dramatic confrontation that tests Surya’s resolve and moral compass.
Review
“Saripodhaa Sanivaaram” has received a mix of praise and criticism from audiences and critics alike. While the film adheres to familiar masala film tropes, it also attempts to subvert expectations through clever writing and character development.
Plus Points:
- Strong Performances: Nani delivers a standout performance, effectively portraying the internal conflict of a man grappling with his anger. His nuanced portrayal of Surya’s emotional journey resonates with viewers. SJ Suryah also shines as the antagonist, bringing a unique intensity and humour to his role, and making their confrontations engaging.
- Clever Writing: The screenplay is filled with clever twists and turns, keeping the audience engaged. Vivek Athreya’s writing showcases a self-awareness of the genre, playfully acknowledging clichés while still delivering a compelling narrative.
- Cinematography and Music: The film benefits from G. Murali’s cinematography, which captures the essence of Sokulapalem beautifully, enhancing the storytelling. Jake Bejoy’s musical score adds depth to the film, elevating emotional moments and action sequences alike.
Minus Points:
- Predictable Elements: Despite its clever writing, the film occasionally falls into predictable patterns typical of the masala genre. Some plot twists may be anticipated, diminishing the overall impact of the narrative.
- Pacing Issues: The film’s runtime of nearly 2 hours and 50 minutes can feel excessive, particularly in the first half, which is primarily focused on character introductions. A tighter screenplay could have improved pacing and engagement.
- Character Development: While Nani and SJ Suryah are well-developed, some supporting characters lack depth. For instance, the roles of Aditi Balan and Abhirami could have been expanded to enhance emotional stakes, making their arcs more impactful.
Technical Aspects:
Vivek Athreya’s direction showcases a clear vision, balancing traditional action elements with innovative storytelling. The film’s structure is divided into chapters, allowing for a methodical exploration of characters and plot points. However, some critics argue that the execution of certain scenes could be refined for better pacing and clarity.
The cinematography by G. Murali effectively captures the vibrant landscapes of Sokulapalem, while Jakes Bejoy’s music complements the film’s emotional tone. The editing, handled by Karthika Srinivas, could have benefitted from a more rigorous approach to tighten the narrative and enhance viewer engagement.
Performance:
Nani’s portrayal of Surya is the film’s highlight, as he adeptly navigates the character’s emotional complexities. His ability to convey vulnerability alongside a fierce determination makes Surya a relatable and compelling protagonist. SJ Suryah delivers one of his best performances, bringing a mix of menace and humour to the role of Daya, effectively contrasting with Nani’s character.
Priyanka Arul Mohan provides solid support, although her character could have been developed further. The ensemble cast, including Murali Sharma and Sai Kumar, deliver commendable performances, contributing to the film’s overall impact.
Conclusion:
In conclusion, “Saripodhaa Sanivaaram” is a commendable addition to the Telugu action drama genre, offering a blend of engaging performances, clever writing, and emotional depth. While it adheres to certain genre conventions, it also attempts to subvert expectations through its unique narrative structure and character arcs.
Nani’s powerful performance, coupled with SJ Suryah’s compelling portrayal of the antagonist, elevates the film, making it an entertaining watch for fans of Masala cinema. However, pacing issues and predictable elements may deter some viewers from seeking a more innovative experience.
Overall, “Saripodhaa Sanivaaram” succeeds in delivering an enjoyable cinematic experience, appealing to both traditional action film enthusiasts and those looking for a story with emotional resonance. The film’s ambition and execution showcase Vivek Athreya’s growth as a director, hinting at a promising future in the industry. For those seeking an engaging action drama with a mix of humour and heart, “Saripodhaa Sanivaaram” is worth a watch.
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